TomorrowScape

TomorrowScape

Work created in 2025/10/25

'TomorrowScape' is a web-based generative art piece that depicts a 24-hour unit of time through both visual and auditory dimensions. Set against a deep blue background—reminiscent of the deep sea or the quiet stillness before dawn—the work unfolds as abstract lines trace paths through a 3D space, accompanied by music that changes over time.
When the start button is pressed, the piece begins a 24-hour countdown. The start time and remaining time appear at the top of the screen, forcing the viewer to become aware of the passage of time toward 'tomorrow'. This mechanism directly engages with a key challenge specific to internet art: the visualization of time within a digital space.
Visually, the work centers on an orange cube, around which vivid lines of yellow, cyan, and magenta weave trajectories in three-dimensional space. These lines grow organically, forming increasingly complex structures as time progresses. It is a visual expression that could be seen as the growth of digital crystals or the visualization of thought itself.
The musical component is another essential pillar of the piece. Console logs reveal that chord progressions and percussion patterns shift over time, interweaving with the visual elements to create an evolving soundscape. The inclusion of stereo positioning—left and right—suggests a thoughtful spatial sound design.
What this work questions is the fundamental theme of 'experiencing time in digital space'. The act of 'drawing' 24 hours blurs the boundary between time-based and visual art. To witness the complete work, one must devote 24 hours, which is practically impossible. This very impossibility of complete viewing constitutes the core message of the piece.
The minimalist interface design is also noteworthy. By eschewing unnecessary decoration and limiting the display to the timer, visualization, and a pause button, the interface enhances the conceptual purity of the work. This reflects a process-oriented stance that follows the lineage of Sol LeWitt's conceptual art and John Cage's time-based practices.
However, the 24-hour duration presents an ambiguity regarding viewability. Given the nature of internet art—accessible anytime, anywhere—it may be interpreted as designed for fragmented viewing. The viewer may visit multiple times at different hours and encounter a new 'landscape' each time. This suggests a mode of appreciation unique to the internet era, fundamentally distinct from the single, bounded viewing experience of traditional museums.
Technically, the piece likely combines 3D graphics libraries such as Three.js with the Web Audio API for sound generation. The algorithmically generated visuals and sounds ensure that each rendering unfolds differently. This unpredictability and coincidence embody the essence of generative art, manifesting the concept of an 'autonomous artwork' that transcends the artist's control.
The color choices are intriguing as well. The combination of yellow, cyan, and magenta evokes CMYK subtractive printing, linking digital media to the context of print. The orange cube serves as a spatial anchor, giving physical weight to the otherwise abstract trails.
The title 'TomorrowScape'—'the landscape of tomorrow'—suggests the poetic heart of the work. It depicts the temporal journey toward 'tomorrow', 24 hours ahead, through sight and sound. It is not a mere clock but an attempt to perceive time itself as a landscape.
This piece can also be read as a quiet resistance to the culture of immediacy and efficiency that dominates today's internet. Spending 24 hours on what might seem 'wasteful' reflects a practice of slow art and slow media, urging viewers to reconsider their relationship with time.
The deep blue background may symbolize the universal cycle of time’s passage—from night to morning, and back again. The abstract trajectories drawn in digital space serve as a poetic device to render visible that which cannot be seen: the very texture of time itself.